5,211 Free Artworks of Black Pen On Paper

yale center for british art national gallery of art drawings in the national gallery of art (washington, d.c.)pen and black ink cooper hewitt, smithsonian design museum romanticism,fairy painting william blake drawings in the yale center for british art pen and black ink and watercolor gray wash

Hans Holbein the Younger - Sir John Gage RL 12207, Hans Holbein the Younger, circa 1532-43

portrait drawings by hans holbein der jüngere in the royal collection of the united kingdom german renaissance,northern renaissance

Drawing, Design for a Monochrome Wall Painting, Church of Corpus Domini, Bologna, Italy, Death of St. Caterina Vigri, 1687–94, Catherine of Bologna, 1687–94

drawings from italy in the cooper–hewitt, smithsonian design museum drawings in the cooper–hewitt, smithsonian design museum

A View of the Ravines at Etawa, William Hodges, circa 1783

drawings in the yale center for british art william hodges

The Continents of Africa and America: Design for the Decoration of a Map, Adriaen van de Velde, circa 1671

allegory of the americas allegories of africa

"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse...", John Vanderbank, 1729

drawings in the yale center for british art john vanderbank

Wild man, Hans Holbein the Younger, circa 1528

drawings by hans holbein der jüngere in the british museum german renaissance,northern renaissance

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House., John Thomas Smith, 1817

drawings in the yale center for british art john thomas smith (1766-1833)

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends, John Thomas Smith, 1817

drawings in the yale center for british art john thomas smith (1766-1833)

Drawing, The Boccia Game, 1807–08, Bartolomeo Pinelli, 1807–08

drawings by bartolomeo pinelli in the cooper–hewitt, smithsonian design museum italy in the 1800s

June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48), Thomas Stothard

drawings in the yale center for british art drawings by thomas stothard

Design for an Escutcheon in Form of Boat with Sail, for Recueil Nouveau de Differens Cartouches, Jacques de Lajoue, 1734

drawings in the cooper–hewitt, smithsonian design museum jacques de lajoue

The Virgin and Child Adored by Monks and Others, Giovanni Battista Tiepolo, circa 1730–35

prints by giovanni battista tiepolo in the metropolitan museum of art rococo,baroque

Drawing, Battle Scene, 1524–46, Giulio Romano, 1524–46

drawings by giulio romano mannerism

An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley, Samuel Wale

drawings in the yale center for british art samuel wale

My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes, Paul Sandby, circa 1759

paul sandby - london cries black chalk and graphite

Title Page, James Henry Moser, between 1890 and 1891

drawings in the national gallery of art (washington, d.c.)james henry moser

The Adoration of the Golden Calf, Hans Rottenhammer, 1595/1596

drawings in the national gallery of art (washington, d.c.)northern mannerism

Rays of Sunlight Striking a Woodland Path, Friedrich Salathé, circa 1815

drawings in the national gallery of art (washington, d.c.)friedrich salathé

A Village Scene in India [verso], George Chinnery, 1814/1824

drawings in the national gallery of art (washington, d.c.)drawings by george chinnery

Pluto Bringing Proserpine to the Gates of Hell, Carlo Maratta

drawings by carlo maratta in the national gallery of art (washington, d.c.)drawings in the national gallery of art (washington, d.c.)

A Village Hut in India [recto], George Chinnery, 1814/1824

drawings in the national gallery of art (washington, d.c.)drawings by george chinnery

The Madonna and Child Enthroned with Saint John the Baptist and Saint Andrew, Bernardino India

drawings in the national gallery of art (washington, d.c.)mannerism

Le Peril Anarchiste, Jean-Louis Forain, circa 1897

drawings in the national gallery of art (washington, d.c.)drawings by jean-louis forain

Crowd of People Seen between Two Columns [verso], Alphonse Legros

drawings by alphonse legros in the national gallery of art (washington, d.c.)realism

Three Figures (recto); Sketches of Kneeling Figures and Putti (verso), Domenico Mondo, between 1760 and 1806

domenico mondo baroque

Magazine studies, i.a. of a Kala. Top: pencil scratch of pediment, Johan Lundbye, 1845

drawings by johan thomas lundbye in the statens museum for kunst realism

Mother and Child, Eunice Pinney, circa 1815

drawings in the national gallery of art (washington, d.c.)girls with dolls in art

Three Figures (recto); Sketches of Kneeling Figures and Putti (verso), Domenico Mondo, between 1760 and 1806

domenico mondo baroque

The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo, mid 1740s

drawings in the national gallery of art (washington, d.c.)rococo,baroque

Drawing, Eagle and Snake, ca. 1805, circa 1805

drawings from italy in the cooper–hewitt, smithsonian design museum - animals piancastelli fund in the cooper–hewitt, smithsonian design museum

Drawing, Saint Peter's Church, Alb, ca. 1870, Edward Burne-Jones, circa 1870

pre-raphaelite brotherhood,symbolism drawings by edward burne-jones

Cartouches Modernes orné avec des [diferentes Figures] (Plate VI-1 from the set), Johann Esaias Nilson

prints in the national gallery of art (washington, d.c.)johannes esaias nilson

Peter, who is on his way to the temple with John, heals a lamb, Maarten van Heemskerck, 1556

drawings by maarten van heemskerck in the statens museum for kunst mannerism

Drawing, "Armor of 1440; Best Epoch", 1887, Edwin Blashfield

drawings in the cooper–hewitt, smithsonian design museum edwin blashfield

Agnus dei (John the Baptist left and Christ as the Good Shepherd right), Maarten van Heemskerck, 1549

drawings by maarten van heemskerck in the statens museum for kunst mannerism

Design for the Obelisk of St. Dominic, Piazza San Domenico Maggiore, Naples, Domenico Antonio Vaccaro, ca. 1737

collections of the cooper hewitt, smithsonian design museum naples in art

The state clerk Sjafan reads from the law book to King Josias, who tears his clothes, Maarten van Heemskerck, 1569

drawings by maarten van heemskerck in the statens museum for kunst mannerism

Philip, Peter and John impart the Holy Spirit to the baptized men and women of Samaria through the laying on of hands, Maarten van Heemskerck, 1572

drawings by maarten van heemskerck in the statens museum for kunst mannerism

Drawing, Frieze with Rinceau, 1775–80, Jean Charles Delafosse, 1775–80

artworks of france in the cooper–hewitt, smithsonian design museum drawings in the cooper–hewitt, smithsonian design museum

Drawing, Apollo and Daphne, 1796–98, Felice Giani, 1796–98

drawings by felice giani in the cooper–hewitt, smithsonian design museum brush and watercolor

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber, John Thomas Smith, 1817

drawings in the yale center for british art john thomas smith (1766-1833)

Drawing, Design for a Confident, ca. 1780, Richard de Lalonde, circa 1780

furniture drawings in the cooper–hewitt, smithsonian design museum artworks of france in the cooper–hewitt, smithsonian design museum

Historical Costumes, Luis Paret y Alcázar, 1780

drawings in the national gallery of art (washington, d.c.)drawings by luis paret y alcázar

Two Kings and a Woman Leaving an Elaborate Palace, Jan Gossaert, 1503/1508

drawings in the national gallery of art (washington, d.c.)drawings by jan gossaert

The Fight in the Forest, c. 1500/1503

drawings by hans burgkmair d. ä. in the national gallery of art (washington, d.c.)drawings in the national gallery of art (washington, d.c.)

Sketchbook Folio, The Facade of Modena Cath, Felice Giani

drawings by felice giani in the cooper–hewitt, smithsonian design museum black chalk

Songs of Innocence and of Experience, Plate 45, "The Garden of Love" (Bentley 44), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Drawing, Standing Bishop, ca. 1620, Belisario Corenzio, circa 1620

drawings in the cooper–hewitt, smithsonian design museum belisario corenzio

The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College.", William Blake, between 1797 and 1798

william blake's illustrations to thomas gray's poems romanticism,fairy painting

Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Songs of Innocence and of Experience, Plate 48, "The Sick Rose" (Bentley 39), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear....", William Blake, 1804 to 1820

jerusalem the emanation of the giant albion - copy e - google art project romanticism,fairy painting

A West View of Hampton Court Ferry and Hampton Church at a Distance, Bernard Lens III, between 1731 and 1733

drawings in the yale center for british art bernard lens iii

Songs of Innocence and of Experience, Plate 25, "The Voice of the Ancient Bard" (Bentley 54), William Blake, 1789 to 1794

songs of experience - the voice of the ancient bard romanticism,fairy painting

The Carrying of the Cross, Giovanni Battista Piranesi, 1747

drawings in the national gallery of art (washington, d.c.)neoclassicism

Songs of Innocence and of Experience, Plate 28, "On Anothers Sorrow" (Bentley 27), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Songs of Innocence and of Experience, Plate 43, "The Little Vagabond, " (Bentley 45), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Songs of Innocence and of Experience, Plate 39, "Infant Sorrow" (Bentley 48), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

`Sketches of Mares and Foals' - an illustrated letter addressed to J. S. Barry, Esq., and dated Aug. 11, 1800, Francis Sartorius

drawings in the yale center for british art francis sartorius (the elder)

God Enthroned Surrounded by Saints, Giovanni Battista Trotti, possibly 1585/1590

drawings in the national gallery of art (washington, d.c.)drawings by giovanni battista trotti

Songs of Innocence and of Experience, Plate 44, "The Human Abstract" (Bentley 47), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Saint Jerome in the Desert Listening to the Angels, Giovanni Battista Tiepolo, circa 1732

drawings in the national gallery of art (washington, d.c.)rococo,baroque

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College.", William Blake, between 1797 and 1798

william blake's illustrations to thomas gray's poems romanticism,fairy painting

The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat.", William Blake, between 1797 and 1798

william blake's illustrations to thomas gray's poems romanticism,fairy painting

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College.", William Blake, between 1797 and 1798

william blake's illustrations to thomas gray's poems romanticism,fairy painting

Songs of Innocence and of Experience, Plate 32, "Earth's Answer" (Bentley 31), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

Songs of Innocence and of Experience, Plate 27, "The Divine Image" (Bentley 18), William Blake, between 1789 and 1794

songs of innocence - divine image romanticism,fairy painting

Jerusalem, Plate 19, "His children exil'd from his breast....", William Blake, 1804 to 1820

jerusalem the emanation of the giant albion - copy e - google art project romanticism,fairy painting

Songs of Innocence and of Experience, Plate 54, "The School Boy" (Bentley 53), William Blake, 1789 to 1794

songs of innocence and experience - copy l romanticism,fairy painting

God the Father Seated in Clouds Surrounded by Angels and Putti, Giovanni Domenico Tiepolo, 1753/1759

drawings in the national gallery of art (washington, d.c.)drawings by giovanni domenico tiepolo

The outer port of Brest, Louis-Nicolas Van Blarenberghe, circa 1750

18th-century landscape paintings in the louvre paintings by louis-nicolas van blarenberghe

Italian woman with a bucket on her head and a begging boy by her hand. To the right, study of a seated Italian boy, Johan Lundbye, 1845

drawings by johan thomas lundbye in the statens museum for kunst realism

In the foreground some girls jumping paradise. In the background some boys playing soldier and an invalid looking on, Johan Lundbye, 1847

drawings by johan thomas lundbye in the statens museum for kunst realism

Angels Singing The Praises of The Almighty - Three Angels Singing from Sheet Music, Vrancke van der Stockt, circa 1460

drawings by vrancke van der stockt early netherlandish painting

Swiss landscape with a riding boy holding two horses and a pair of dogs; study for the portrait of Jean-Armand Tronchin, Jens Juel, 1779

drawings by jens juel in the statens museum for kunst black chalk

Centaur subdued by Cupid. Antique sculpture group. Two studies of Cupid, one seen from the right, the other from behind, Willem Panneels

drawings by willem panneels in the statens museum for kunst black and red chalk

Drawing, Designs for Painted Panels with Fortune and Jacques Necker, 1788–90, Claude Louis Desrais, 1788–90

drawings in the cooper–hewitt, smithsonian design museum claude-louis desrais

Saint John Preaching, Anthonie Blocklandt van Montfoort, 1575/1580

drawings by anthonie blocklandt van montfoort mannerism

Ruins of a Fortified Tower among Wooded Hills Ruines d'une tour fortifiée, au coeur de collines boisées., Friedrich Salathé, 1816/1821

drawings in the national gallery of art (washington, d.c.)friedrich salathé

Fantasy of a Façade with Bizarre Ornaments, Giovanni Battista Piranesi, 1764/1766

drawings in the national gallery of art (washington, d.c.)neoclassicism

The Madonna and Child Enthroned, Adored by Two Saints, Giuseppe Nicola Nasini, circa 1709

drawings in the national gallery of art (washington, d.c.)baroque painting

Study for a Lunette, Charles Sprague Pearce, 1890/1897

drawings in the national gallery of art (washington, d.c.)academic art,orientalism,japonisme,naturalism

God the Father and Angels Adoring the Madonna and Child [recto], Giovanni Domenico Tiepolo, circa 1753

drawings in the national gallery of art (washington, d.c.)drawings by giovanni domenico tiepolo

Ruined Towers Overlooking the Rhine, Karl Bodmer, circa 1835

german drawings in the national gallery of art (washington , d. c.)barbizon school

Drawing, Design for an Illustration: "Architecture", 1760–89, Fedele Fischetti, 1760–89

drawings from italy in the cooper–hewitt, smithsonian design museum fedele fischetti

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard.", William Blake, between 1797 and 1798

william blake's illustrations to thomas gray's poems - elegy written in a country church-yard romanticism,fairy painting

Drawing, Return From The Vintage, 1807–08, Bartolomeo Pinelli, 1807–08

drawings by bartolomeo pinelli in the cooper–hewitt, smithsonian design museum italy in the 1800s

October 1st: Yeomen Make Room (Vol. 2, p. 335) October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156), Thomas Stothard

drawings in the yale center for british art drawings by thomas stothard

Drawing, Laundry in the Mountains Near Rome, 1807–08, Bartolomeo Pinelli, 1807–08

drawings by bartolomeo pinelli in the cooper–hewitt, smithsonian design museum italy in the 1800s

Tobias and Azarja (cover name for Archangel Raphael) say goodbye to Tobit, Maarten van Heemskerck, 1554

drawings by maarten van heemskerck in the statens museum for kunst mannerism

September 1st: The High Roads Were Filled (Vol. 2, p. 324) September 2nd: The Princely Castle Appeared (Vol. 2, p. 329), Thomas Stothard

drawings in the yale center for british art drawings by thomas stothard

Drawing, Two Shepherds in the Campagna, 1807–08, Bartolomeo Pinelli, 1807–08

drawings by bartolomeo pinelli in the cooper–hewitt, smithsonian design museum italy in the 1800s

May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23), Thomas Stothard

drawings in the yale center for british art drawings by thomas stothard

July 1st: She [Sat] Beneath an Awning (Vol. 2, p. 50) July 2nd: Here Sussex is My Hand (Vol. 2, p. 85), Thomas Stothard

drawings in the yale center for british art drawings by thomas stothard

March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127) March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148), Thomas Stothard

drawings in the yale center for british art drawings by thomas stothard

Drawing, Battle Scene, 1524–46, Giulio Romano, 1524–46

drawings by giulio romano mannerism

Lying cow. Above left, a seated peasant girl, t.h. a cat drinking from a dandelion, Johan Lundbye, 1843

drawings by johan thomas lundbye in the statens museum for kunst realism

Head of a Magician, Giovanni Battista Tiepolo, circa 1760

drawings in the national gallery of art (washington, d.c.)rococo,baroque

The Ruins of an Ancient Amphitheater, Gaspar van Wittel, circa 1701

drawings in the national gallery of art (washington, d.c.)caspar van wittel

An Elaborate Altar with the Resurrection of Christ and the Martyrdom of Saint Andrew, Friedrich Sustris, 1570/1580

drawings in the national gallery of art (washington, d.c.)drawings by friedrich sustris

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